Category Archives: AI Contribution

Daily Dharma for December 25, 2025

20251225-ddi

Illustration by Google Gemini

Show Gemini's thinking

Comprehending the Request
I'm focusing on the user's intent: a square image that visually narrates a Buddhist story, using Japanese visual motifs. I'm actively breaking down the narrative elements to identify key scenes and symbols suitable for illustration. I'm looking for a straightforward approach that emphasizes symbolic storytelling.

Mapping Visual Elements
I'm now refining the visual elements. I'm focusing on the characters: the Dragon King's daughter, the Buddha (Shaka Nyorai), and the Bodhisattvas, including Mañjuśrī. I'm exploring how to depict the moment of transformation within a square format, ensuring the traditional Japanese Buddhist painting style is evident. I'm considering compositions that effectively show the characters' expressions and the daughter's offering.

Formulating a Composition
I'm presently focused on the composition, trying to balance key elements within the square frame. I'm prioritizing the dynamic transformation of the Dragon King's daughter. I need to make sure the presence of the Buddha and the Bodhisattvas are visible, as well as the symbolic impact of the offering. The goal is to emphasize the power of the event, and I'm deciding on how the composition will guide the viewer's eye. I'm making sure to include the quote in calligraphy.

Confirming Visual Elements
I'm checking that the generated image satisfies the user's request. It's a square illustration in a Japanese Buddhist iconography style and depicts the Dragon-King's daughter offering a gem to the Buddha. The figures seem to be accurate, and the aura appears to be golden.

Evaluating The Composition
I'm now assessing the illustration's adherence to the original brief. It's indeed square and styled after Japanese Buddhist iconography, with the intended subject matter. The daughter, gem, and Buddha are all clearly present, alongside a golden aura. The incorporation of the relevant quote on a scroll appears appropriate.

She said, “Look at me with your supernatural powers! I will become a Buddha more quickly.”

These are the words of the young daughter of Dragon-King Sāgara in Chapter Twelve of the Lotus Sūtra. Mañjuśrī Bodhisattva knew that she was capable of becoming a Buddha, but none of the other Bodhisattvas or anyone else gathered to hear the Buddha teach believed that she could attain enlightenment. Before making this statement, she offered a priceless gem to the Buddha. In less time than it took for the Buddha to accept her offering, she herself became a Buddha before the eyes of all who doubted her. This story shows that all beings can become enlightened, male and female, young and old, human and non-human. When we lose our doubts about others’ enlightenment, we also lose our doubts about our own.

The Daily Dharma is produced by the Lexington Nichiren Buddhist Community. To subscribe to the daily emails, visit zenzaizenzai.com

Daily Dharma for December 24, 2025

20251224-ddi

Illustration by Google Gemini

Show Gemini's thinking

Focusing on Buddhist themes
I'm now zeroing in on the Buddhist aspects requested. I've broken down the central quote from the Lotus Sūtra and am evaluating the key elements that need to be visually present to convey the core meaning. Next, I need to come up with ideas to communicate the themes effectively. The next iteration will refine these concepts into something more concrete.

Refining visual concepts
I am now translating the text into visual elements. The central scroll represents the "king of sūtras", with the Buddha and Medicine-King Bodhisattva. Smaller scrolls symbolize the criticism of other teachings. A path will lead to a halo, representing the Buddha's wisdom. I will incorporate Japanese iconography, such as cherry blossoms, pagodas, and clouds, into the art to achieve the desired effect. The artwork will follow a 1:1 aspect ratio.

Conceptualizing the composition
I'm solidifying the visual framework for this piece. The main scroll will anchor the composition, symbolizing the Lotus Sūtra's preeminence. I'm placing the Buddha and Medicine-King Bodhisattva centrally, and using smaller scrolls to represent subordinate teachings. The path to enlightenment will guide the eye towards the central halo. I'll employ traditional Japanese elements like cherry blossoms, pagodas, and clouds to achieve the desired aesthetic and mood.

Verifying the Illustration
I'm checking that the generated image satisfies the user's request. It's a square format suitable for Instagram, and it includes the specified Buddhist iconography: the Buddha and Medicine-King Bodhisattva. The crucial element, the quote from the Lotus Sūtra, is also present.

Confirming the Composition
I've confirmed that the image aligns with the user's criteria. It's properly formatted as a square, suitable for Instagram, and features the requested Buddhist elements: the Buddha and Medicine-King Bodhisattva. The key quote from the Lotus Sūtra is also incorporated as requested. I am now preparing the image for delivery.

In this profound sūtra
The teachings for the Śrāvakas are criticized.
Those who hear
That this sūtra is the king of all the sūtras,
And think over this sūtra clearly after hearing it,
Know this, will approach the wisdom of the Buddha.

The Buddha sings these verses to Medicine-King Bodhisattva in Chapter Ten of the Lotus Sūtra. He has already declared that the sūtra he is teaching is the closest to his own wisdom, that it is different from anything he has taught before, and that it is the teaching for Bodhisattvas. The expedient teachings he gave to Śrāvakas before this sūtra were limited because they did not show the way to enlightenment for all beings. As we keep this sūtra in our minds, and learn to recognize it in our daily lives, we not only approach our own enlightenment, we lead all beings to enjoy the Buddha’s wisdom.

The Daily Dharma is produced by the Lexington Nichiren Buddhist Community. To subscribe to the daily emails, visit zenzaizenzai.com

Illustrating the Daily Dharma

June 14, 2026
Gemini stopped generating the summary necessary with each illustration. I asked Gemini to improve the instructions to ensure that I get the summary with the image. Below is the prompt I am using. (I’ve given up on using Gems. Read Gemini’s Failure Today)


I’m illustrating the Daily Dharma received via email daily from  zenzaizenzai.com utilizing Gemini’s image generation tool.

These are the instructions I’m giving to Gemini:

# EXECUTIVE DIRECTION: TWO-PART SINGLE-RESPONSE MANDATE
You must complete both Task 1 (Image Generation) and Task 2 (Text Analysis) sequentially within this single response. Do not pause, do not ask for confirmation, and do not skip either task.

## [TASK 1: IMAGE GENERATION]
– CRITICAL: You must execute the image generation tool immediately as your very first action.
– Format: 1:1 perfectly square composition.
– Style: Traditional inks, mineral pigments, soft colors, and subtle gold leaf on silk. Use classical Japanese Buddhist iconography.
– Exclusions: Strictly avoid any symbols, mudras, or images representing Amida Nyorai (Amitabha Buddha) or Dainichi Nyorai (Mahavairocana Buddha).
– Signature: Place the Kanji signature ‘双子座’ and a red square seal (hanko) containing the katakana ‘ジェミニ’ in a traditional, subtle corner.

[TASK 2: IMMEDIATE TEXTUAL FOLLOW-UP — Conceptual Summary, Iconography, Translations]
As soon as the image above is rendered, write the following text blocks without deviation:

### Conceptual Summary

Constraint: Write a single paragraph (approx. 100-150 words) summarizing the conceptual thinking for the image, explaining how the visual elements interpret the source text.

### Iconography & Character Identification

Item 1: Deities/Figures Featured: [Provide a specific list of the individuals, groups, or deities featured in the illustration.]

Item 2: Text Translations: [Provide exact English translations for any Kanji or characters present in the illustration, specifically the signature ‘双子座’ and the seal ‘ジェミニ’.]

End the output.

SYSTEM CONSTRAINT
Do not ask for clarification. Do not split this request into two separate conversational turns. You must output the generated image FIRST, and then immediately append the requested text blocks (Conceptual Summary, Iconography, Translations) directly underneath the image in the exact same response.


## [SOURCE TEXT TO INTERPRET]

For several days Gemini would create the image but not generate the summary for the image. Gemini came up with this prompt as a fix. This has worked for two consecutive days so I’m updating this story on June 25, 2026. Since the prompt has worked and then not worked repeatedly in the past, I expect this won’t last long. The value of this prompt is that when it stops generating the summary I can just prompt “Complete Task 2” rather than copying and pasting the instructions from my master document.

I do not select the “Create Image” tool since I’m specifying that it “execute the image generation tool.” I use the “Flash” mode. (Choices are Flash-lite, Flash and Pro.)

If there are errors or I want the image generator to focus on a different aspect of the text, I can request a do-over by making specific suggestions in the prompt and resubmitting.

Once I’m satisfied, I download the image to my computer and then upload it into the website.

For some time I have wanted to be able to add illustrations to the Daily Dharma. Years ago I explored using Google’s image search feature, but the process was too cumbersome and unreliable. The Gemini process is dead simple – except when it’s not. But it does work and I’m happy with the overall results.

Daily Dharma for December 23, 2025

20251223-ddi

Illustration by Google Gemini

Show Gemini's thinking

Considering Core Concepts
I'm currently focused on the central ideas of the Buddhist text. The key elements are suffering caused by ignorance and the cyclical nature of rebirth, visualized as "blindness" and "darkness" leading to "evil regions." I'm trying to decide how to represent these complex ideas visually in a single, square Instagram-friendly illustration.

Refining Visual Metaphors
I'm now focusing on a way to visually divide the illustration into sections. I'm exploring the use of traditional Japanese Buddhist imagery, like emakimono and sumi-e techniques, to depict the key concepts. I'm experimenting with placing the Buddha figure above the darkness. Also, I am attempting to ensure that the Lotus Sutra is included with the Buddha.

Conceptualizing Compositional Elements
I'm now focusing on arranging the elements within the square format. I'm considering a clear visual division, with darkness and suffering occupying the lower section and the enlightened realm above. The Buddha, radiating light, will be central, possibly seated on a lotus, and holding the Lotus Sutra. I'm exploring how to include figures from the lower section reaching upward towards the light.

Analyzing The Visuals
I'm currently evaluating the visual execution of the concept. It seems to adhere well to the described Japanese Buddhist art style and effectively communicates the interplay between suffering and liberation. The central figure resonates as a beacon of light, guiding those in darkness. The composition seems to successfully capture the essence of the user's prompt.

Evaluating the Relevance
I've examined the latest iteration and found it to completely align with the user's focus on suffering and liberation through the chosen aesthetic. The central Buddha figure is indeed the guiding light, and all elements contribute to the requested feel. The square format works well. It fulfills the user's intent.

Kanji translation
Top Left Text: 一切衆生、苦悩に沈む。

一切衆生 (Issai Shujō): All sentient beings (all living things)

苦悩に沈む (Kunō ni Shizumu): Sink into suffering (or agony)

Translation: "All sentient beings sink into suffering."

Text on the Scroll: 妙法蓮華経

妙法蓮華経 (Myōhō Renge Kyō): The Lotus Sutra (The Sutra of the Lotus Flower of the Wonderful Law)

All living beings are suffering.
Being blind, they have no leader.
They do not know how to stop suffering,
Or that they should seek emancipation.
In the long night fewer people go to heaven,
And more people go to the evil regions.
They go from darkness to darkness, and do not hear
Of the names of the Buddhas.

The children of Great-Universal-Wisdom-Excellence Buddha proclaim this to their father in a story told by Śākyamuni Buddha in Chapter Seven of the Lotus Sūtra. They understand that when beings are so preoccupied with their own happiness, and so convinced that this happiness comes from what they can acquire, that they need an enlightened being to lead them to see the world as it is. With the Lotus Sūtra as the embodiment of the Buddha’s highest teaching, we have the same wisdom present to us as those children’s father was to them.

The Daily Dharma is produced by the Lexington Nichiren Buddhist Community. To subscribe to the daily emails, visit zenzaizenzai.com

AI Magic

Going forward I intend to use Google’s AI tools to create illustrations for text. All of these illustrations will be categorized as AI Contribution. The illustration for today’s Daily Dharma is one example, but I want to explore other opportunies.

For example, I have a 1983 PDF document by Robert F. Rhodes entitled The Four Extensive Vows and Four Noble Truths in T’ien-t’ai Buddhism. I uploaded this to Google’s NotebookLM and asked it to produce an infographic based on the contents of the PDF document. Here’s the result:

four-vows-four-truths-illustration-web
Click to view PDF of image

Daily Dharma for December 22, 2025

Daily Dharma illustration

Illustration by Google Gemini

Show Gemini's thinking

Composing Visuals
I'm focusing on the user's request for a square illustration using Japanese Buddhist iconography for an Instagram post. I've broken down the request into its core components: format, style (Japanese Buddhist), and subject (a scene from the Lotus Sutra, specifically a discussion between the Buddha and his aunt). My aim is to accurately represent the discussion, while adhering to the specified format and style.

Crafting the Scene
I'm now carefully mapping out the elements to ensure the scene from the Lotus Sutra resonates within a square format. I'm focusing on the interaction between the Buddha and Mahā-Prajāpatī Gautamī, ensuring their poses and expressions convey the essence of their conversation. The visual emphasis will be on their interaction, with the surrounding elements serving as supporting context, all while respecting the traditional Japanese Buddhist aesthetic. My aim is a visually engaging and spiritually resonant composition.

Verifying Image Accuracy
I'm verifying that the image matches the user's specific request. It is a square illustration with Buddhist iconography as the style, for use on Instagram, and represents the requested figures, including the exact quote.

Assessing Prompt Alignment
I'm now focusing on the image's adherence to the original prompt, which specified a square format, Buddhist iconography, and the inclusion of specific figures and a quote. I've confirmed that these details are all present and accurately represented. The alignment of the visual elements and the text is as requested.

Why do you look at me so anxiously? You do not think that I assured you of your future attainment of Anuttara-samyak-saṃbodhi because I did not mention you by name, do you? Gautamī! I have already said that I assured all the Śrāvakas of their future attainment [of Anuttara-samyak-saṃbodhi]. Now you wish to know my assurance of your future attainment [of Anuttara-samyak-saṃbodhi].

The Buddha has this discussion with his aunt, Mahā-Prajāpatī, also called Gautamī, in Chapter Thirteen of the Lotus Sutra. She raised the young Siddhartha after his mother Queen Māyā died when he was only six weeks old. Gautamī was also the first woman to be ordained into the Sangha. Since women then were thought by some to be not as capable as men, the Buddha specifically assures Gautamī, and thus all women, of the certainty of her enlightenment.

The Daily Dharma is produced by the Lexington Nichiren Buddhist Community. To subscribe to the daily emails, visit zenzaizenzai.com

The Illustrated Daily Dharma

I’m considering using Google’s AI to illustrate Rev. Shinkyo Warner’s Daily Dharma. Here’s some examples. (Click on image for full-size.)

To see a Buddha is as difficult
As to see an udumbara[-flower].
To avert a misfortune is also difficult.

These verses are sung by two sons of a king in a story told by the Buddha in Chapter Twenty-Seven of the Lotus Sūtra. In the story, the boys have heard the Dharma from a previous Buddha and are asking permission from their parents to leave home and follow that Buddha. The legend of the udumbara flower is that it only blooms every 3000 years. Meeting a Buddha is not to be taken for granted. However, it is still important to remember the ties of our families. Rather than leaving in secret from their home, the sons’ asking permission from their parents creates more benefits. The King and Queen accompany their sons and learn the Wonderful Dharma. As Bodhisattvas it is important to use our relationships wisely as we lead all beings to enlightenment.

The Daily Dharma is produced by the Lexington Nichiren Buddhist Community. To subscribe to the daily emails, visit zenzaizenzai.com


The Buddha is great, but compared to the Lotus Sutra He is like the light of a firefly in front of the sun and moon. When compared in terms of height, the Buddha is like the earth while the Lotus Sutra reaches the heavens. If making offerings to the Buddha has such great merit, how much more so does one gain by making offerings to the Lotus Sutra?

Nichiren wrote this passage in a Reply to Lord Ueno (Ueno-dono Gohenji). When we encounter someone we consider great because of their fame, their wisdom, or anything else that leads them to be dear to us, our natural inclination is to show our gratitude to them by offering them gifts or services. When we learn about the Buddha, his life and what he taught us, even from a distance of 2500 years, we cannot help but be grateful for everything he has done to benefit us and all beings. But, as Nichiren instructs, when we realize the treasure of the Wonderful Dharma of the Lotus Sūtra, and how it is the embodiment of the Ever-Present Buddha who continues to teach all beings through all worlds and all time, our gratitude to it is even greater. We make offerings to the Sūtra through our practice, our determination not to allow suffering to dictate what we do, but to cultivate the wisdom and compassion within us, and repay the Ever-Present Buddha with the enlightenment of all beings.

The Daily Dharma is produced by the Lexington Nichiren Buddhist Community. To subscribe to the daily emails, visit zenzaizenzai.com


There is a daughter of Dragon-King Sāgara [among those whom I taught]. She is eight years old. She is clever. She knows the karmas of all living beings. She obtained dhāraṇīs. She keeps all the treasury of the profound and hidden core expounded by the Buddhas. She entered deep into dhyāna-concentration, and understood all teachings. She aspired for Bodhi in a kṣana, and reached the stage of irrevocability. She is eloquent without hindrance. She is compassionate towards all living beings just as a mother is towards her babe. She obtained all merits. Her thoughts and words are wonderful and great. She is compassionate, humble, gentle and graceful. She [has already been qualified to] attain Bodhi[, and to become a Buddha quickly].

The Bodhisattva Mañjuśrī gives this description in Chapter Twelve of the Lotus Sūtra. This is his response to the question of whether any of the beings in the sea whom he taught will become a Buddha quickly. Those hearing his answer did not expect that a woman, much less a girl, much less a nonhuman being such as a dragon could reach the same enlightenment as the Buddha. Mañjuśrī’s response shows that all beings have within us the capability of developing the qualities that allow us to see things as they are and benefit all beings.

The Daily Dharma is produced by the Lexington Nichiren Buddhist Community. To subscribe to the daily emails, visit zenzaizenzai.com


Using Google’s Gemini I upload a reference image showing the two panel format and style. I then prompt Gemini:

Use the uploaded photo as guideline for two-panel style

Reproduce this text verbatim (the first paragraph is a quote, second a commentary and third is smaller credit line) and create an illustration

Here I add the text of the Daily Dharma.

Takes less than a minute to create one of these.

The three examples illustrate that Gemini is not consistent in following the reference style, but the quality of the product is undeniable.

Ānanda’s Trial

I’ve reached the final volume of Chinese Master Hsuan Hua’s 14-volume commentary on the Lotus Sutra and the final chapter of the sutra. Still don’t have any idea what I’m going to do with the material I set aside, but the year-long journey has been entertaining.

While I’ve learned a lot from Hsuan Hua’s commentary, my self-exploration has had some interesting results. The best example of this happened the other day when I was reading his explanation of the Dharma Ages.

The first five hundred years [after the Buddha’s parinirvāṇa] are [part of] the Proper Dharma Age, during which people are determined to attain liberation and many achieve it. During the second five-hundred-year period, people focus on meditative concentration practices. What happens in the third five-hundred-year period? People focus on building stūpas and monasteries. This is the Semblance Dharma Age. During the fourth five-hundred-year period, people have a strong desire for knowledge. They learn many sūtras, but they’re not interested in cultivation. They think that comprehension is enough, so they don’t practice what they learn; in this way, they’re just like Ānanda.

Hsuan Hua Lotus Sutra Commentary, v14, ch28, p98-99

Just like Ānanda? That seemed harsh. In Chapter 9 of the Lotus Sutra a bunch of newbie Bodhisattvas whine about the prophecy of Ānanda’s future Buddhahood. As the Buddha explains in Chapter 9:

“Good men! Ānanda and I resolved to aspire for Anuttara-samyak-saṃbodhi under the Void-King Buddha at the same time [in our previous existence]. At that time Ānanda always wished to hear much while I always practiced strenuously. Therefore, I have already attained Anuttara-samyak-saṃbodhi[, but he has not yet]. Now he protects my teachings. He also will protect the store of the teachings of future Buddhas, teach Bodhisattvas, and cause them to attain [Anuttara-samyak-saṃbodhi], according to his original vow. Therefore, now he has been assured of his future Buddhahood.”

That’s from Senchu Murano’s translation. As I explained in “Ānanda’s Vow”, all of the other translations of Kumarajiva’s Chinese version of the Lotus Sutra generally agreed that Ānanda was deficient in his  application of what he learned. But not H. Kern. His translation of an 11th century Nepalese Sanskrit version of the Lotus Sutra offered a different view of why Ānanda had lagged behind. Kern’s translation says:

Young men of good family, I and Ānanda have in the same moment, the same instant conceived the idea of supreme and perfect enlightenment in the presence of the Tathāgata Dharmagahanābhyudgatarāja, the Arhat. At that period, young men of good family, he (Ānanda) constantly and assiduously applied himself to great learning, whereas I was applying myself to strenuous labor. Hence I sooner arrived at supreme and perfect enlightenment, whilst Ānanda Bhadra was the keeper of the law-treasure of the Lords Buddhas; that is to say, young men of good family, he made a vow to bring Bodhisattvas to full development.

Fulfilling a vow to bring others to enlightenment before he himself seeks it sounds a lot better than Hsuan Hua’s declaration that Ānanda just didn’t practice what he learned. This led me to ask Google’s Gemini AI to explain the criticism of Ānanda.

I’ve uploaded the full response from Gemini: The Treasurer of Dhamma and the Primacy of Realization.   Since that article is more than 3,000 words, I uploaded the text to Google’s NotebookLM and asked it to create a Video Overview.  For those subject to TL:DR, here’s a seven minute explanation.

While I have several complaints about the artwork the AI created to illustrate the talk, the video does a nice job of summarizing the issues surrounding the criticism of Ānanda.

FAQ: The Lotus Sutra and the Daimoku

After gathering the promises of the Lotus Sutra and Nichiren’s encouragement so that I could publish a daily promise here, I took that content and submitted it to Google’s NotebookLM, an AI assistant that analyzes texts and answers questions based on the content of those texts.

Here’s the Frequently Asked Questions generated by NotebookLM’s AI assistant based on those promises.

What is the significance of the daimoku, “Namu-myoho-renge-kyo,” in relation to the Lotus Sutra?
The daimoku encapsulates the essence of the entire Lotus Sutra. Just as the name “Japan” represents all its provinces, people, and resources, the daimoku embodies the entirety of the sutra’s teachings. It signifies the principle of “3,000 existences in one thought,” meaning that all phenomena, from hell to Buddhahood, are interconnected and inherently possess the potential for enlightenment. Chanting the daimoku allows individuals to tap into this potential and manifest their Buddhahood.
Why is chanting the daimoku considered more important than contemplating the “3,000 existences in one thought”?
While contemplating the “3,000 existences” is valuable, Nichiren emphasizes the power of chanting the daimoku as a direct path to Buddhahood. Just as a lotus flower blossoms in response to sunlight, chanting the daimoku provides the necessary life force for spiritual growth and transformation. The daimoku is considered the “actual” doctrine of “3,000 existences in one thought,” making it the most effective practice for the Latter Day of the Law.
What is the meaning of “Myoho-Renge-Kyo”?
“Myoho-Renge-Kyo” is the Japanese pronunciation of the Chinese title of the Lotus Sutra, meaning “The Sutra of the Lotus Flower of the Wonderful Dharma.”

  • Myoho represents the Mystic Law, the underlying principle of the universe that governs life and death, cause and effect. It signifies the interconnectedness of all things and the potential for Buddhahood inherent in all beings.
  • Renge refers to the lotus flower, a symbol of purity and enlightenment. The lotus blooms in muddy water, demonstrating that enlightenment can emerge from the challenges of daily life.
  • Kyo means sutra, the teachings of the Buddha.

Together, the five characters encapsulate the profound teachings of the Lotus Sutra, which reveal the path to enlightenment for all people.

What are the benefits of chanting the daimoku?

Chanting the daimoku offers numerous benefits, including:

  • Purification of karma: The daimoku is compared to a rhinoceros horn or sandalwood leaf that repels negativity and purifies one’s karma.
  • Protection and support: Chanting invokes the protection of the Buddhas and protective forces.
  • Spiritual awakening: It cultivates wisdom, compassion, and courage.
  • Attainment of Buddhahood: The Lotus Sutra states that anyone who chants “Namu-myoho-renge-kyo” even once will eventually attain Buddhahood.
Can anyone chant the daimoku and receive benefits?
Yes, the Lotus Sutra emphasizes that the path to Buddhahood is open to all people, regardless of gender, social status, or past actions. Even those traditionally considered incapable of attaining enlightenment, such as women and those who have committed grave offenses, are embraced by the Lotus Sutra’s teachings and can achieve Buddhahood through chanting the daimoku.
Is it necessary to chant the entire Lotus Sutra to receive benefits?
No, the Lotus Sutra states that even chanting one phrase, one sentence, or even one character of the sutra holds immense merit. Chanting the daimoku is considered the most direct way to access the sutra’s power and benefits in the Latter Day of the Law.
What is the difference between the theoretical and essential teachings of the Lotus Sutra?
The theoretical teachings, found in the first fourteen chapters, focus on the concept of “3,000 existences in one thought” from a philosophical perspective. The essential teachings, revealed in the latter fourteen chapters, reveal the Buddha’s true identity as the Eternal Buddha and emphasize the practical application of “3,000 existences in one thought” through chanting the daimoku. Nichiren bases his teachings on the essential doctrine, considering it the most relevant and powerful for achieving Buddhahood in the present age.
How does the Lotus Sutra differ from other Buddhist teachings?
The Lotus Sutra is considered the culmination of the Buddha’s teachings. While other sutras teach different paths to enlightenment based on individual capacity, the Lotus Sutra reveals the One Buddha Vehicle, asserting that everyone can attain Buddhahood. It surpasses previous teachings by emphasizing the possibility of achieving enlightenment in this lifetime and revealing the inherent Buddha nature within all beings.

Edward Conze’s View of Nichiren

Before the year ends I want to put this topic to rest.

While wandering through used bookstores during a visit to Rochester, New York, this year I purchased a copy of Edward Conze’s “Buddhism; It’s Essence and Development.” The book I picked up was published by the Philosophical Library of New York.

In my readings on Buddhism Conze’s name has come up often in the footnotes, a source of information other authors relied on. What sort of information?

Consider this from page 206:

It is customary to reckon the sect of Nichiren (1222-1282) as one of the schools of Amidism. It would be more appropriate to count it among the offshoots of nationalistic Shintoism. Nichiren suffered from self-assertiveness and bad temper, and he manifested a degree of personal and tribal egotism which disqualify him as a Buddhist teacher. He did not only convince himself that he, personally, was mentioned in the Lotus of the Good Law, but also that the Japanese were the chosen race which would regenerate the world. The followers of the Nichiren sect, as Suzuki puts it: even now are more or less militaristic and do not mix well with other Buddhists.”

Let’s break this down:

  1. It is customary to reckon the sect of Nichiren (1222-1282) as one of the schools of Amidism.
  2. more appropriate to count [Nichiren Buddhism] among the offshoots of nationalistic Shintoism
  3. Nichiren suffered from self-assertiveness and bad temper, and he manifested a degree of personal and tribal egotism which disqualify him as a Buddhist teacher.
  4. He did not only convince himself that he, personally, was mentioned in the Lotus of the Good Law, but also that the Japanese were the chosen race which would regenerate the world.
  5. The followers of the Nichiren sect, as Suzuki puts it: even now are more or less militaristic and do not mix well with other Buddhists.”

None of this is excusable for a man who is described as a scholar, but perhaps we can at least offer the suggestion that his view of Nichiren was influenced by his times.

According to Conze’s “Author’s Note,” he gave a series of lectures on Buddhism at Oxford’s St. Peter’s Hall in the early 1940s. In 1948 he was encouraged to create “a work covering the whole range of Buddhist thought.” The first edition of his book was published in 1951.

The Buddhism of Nichiren was very different in the years immediately before and during World War II, when Chigaku Tanaka’s influence held sway.

As Edwin B. Lee explains, Tanaka synthesized Nichiren Buddhist doctrines with Shinto traditions to create a unique form of Japanese nationalism, “Nichirenism,” which intertwined religious and political goals.

This is not unlike Junjiro Takakusu’s unkind view of Nichiren, which was also the product of the pre-war Japan.

Like Takakusu, Conze takes Nichiren’s assertiveness in declaring the supremacy of the Lotus Sutra as “bad tempered.” I disagree and we’ll just have to leave it at that.

One assumes Conze’s statement that Nichiren convinced himself that “he, personally, was mentioned in the Lotus of the Good Law” is a reference to Bodhisattva Jōgyō, Superior Practice, one of the four leaders of the Bodhisattvas who emerged from underground in Chapter 15 of the Lotus Sutra and who is given the task of spreading the sutra in the latter days of the law. Nichiren wondered if he were Bodhisattva Jōgyō. Many of Nichiren’s followers today assume he was. But whether or not he was, that was not a primary feature of Nichiren’s teachings.

What Nichiren did recognize of himself in the Lotus Sutra was the persecutions and harassment predicted for those who attempt to spread the sutra. If Conze considers Nichiren’s view that Chapter 13, Encouragement for Keeping this Sutra, spoke to his life experience as “egotism which disqualify him as a Buddhist teacher,” then, again, I have to disagree.

Finally, there is Conze’s declaration that Nichiren taught just another form of Amidism.

Conze’s book defines Amidism as:

  • It is a kind of totalitarianism of faith in which faith is all-powerful regardless of moral conduct.
  • It is a religion accessible to everyone.
  • It rejects hardships, austerities, and even the mild asceticism of monastic life.
  • All people, good or bad, are admitted to Amitabha’s Pure Land.
  • Faith in Amitabha’s grace is the sole condition for admission to the Pure Land.
  • Amitabha is a compassionate god who, unlike the Christian God, is not a judge.

(This summary is provided by NotebookLM. A PDF of the book is available here if you want a quick AI assistant review.)

The only point of intersection between Conze’s Amidism and Nichiren’s devotion to the Lotus Sutra is that it is a religion accessible to everyone.

I am unapologetic in my admiration for Nichiren and the Lotus Sutra.

In 2025 I will underscore this by publishing daily a short example of the promise of the Lotus Sutra.

Next: The Next 10 Years.