Hsuan Hua Lotus Sutra Commentary

hsuan-hua-paintingA short biography of Chinese Master Hsuan Hua can be read here:

A Brief Account of the Life of the Venerable Master Hsuan Hua (1918-1995)

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Where Chinese Master Hsuan Hua and Nichiren Would Disagree

Chanting the Daimoku – Namu Myoho Renge Kyo, Devotion to the Wonderful Dharma Lotus Sutra – is the principal practice of Nichiren followers. In fact, it is the very definition of being a Nichiren Buddhist.

Chinese Master Hsuan Hua actually advocated chanting the Daimoku at one point in his commentary on the Lotus Sutra.

In discussing the passage in Chapter 26, Dhārāṇis,  “If anyone offends or demeans these Dharma teachers he will also offend and demean these Buddhas,” Hsuan Hua says:

How can illiterate people uphold this sūtra? They can focus on reciting the title by saying ‘Namo Wonderful Dharma Lotus Sūtra.’ Reciting the title of the sūtra is the same as reciting the entire sūtra. For those who can’t read, this is one way. They can also ask someone else to uphold, read, recite, explain, or write it out on their behalf.

Hsuan Hua Lotus Sutra Commentary, v14, ch26, p23

But chanting praise for the Lotus Sutra is not one of the practices Hsuan Hua advocates for his literate followers. In “The Path Within,” a free collection of talks by teachers of the Dharma Realm Buddhist Association published in 2024, Bhikṣu Heng Lyu offers an explanation of what’s expected of followers of Master Hsuan Hua:

When we took refuge’ with Master Hsuan Hua, he asked us to bow to the Buddhas ten thousand times to reduce our karmic obstructions, such as arrogance. He also asked us to practice the Six Great Principles to cultivate our virtue and character as the foundation for being a good person. [The Six Great Principles are: (1) no contention, (2) no greed, (3) no seeking, (4) no selfishness, (5) no seeking personal advantage, and (6) no lying.] After that, we could choose a Dharma practice of our own, whether it be meditation, recitation of the Buddha’s name [Pure Land practice], mantra recitation, or sūtra recitation. The idea is that after you perfect yourself as a person, you attain Buddhahood. This is what the Venerable Master Hua designed especially for us and it is the best sequence of practice.

The Path Within, p14-15

That, of course, couldn’t be further from Nichiren’s view of the sequence of practice. As Nichiren writes:

QUESTION: Regarding the one who truly practices Buddhism, how does one preserve one’s faith?

ANSWER: According to the Lotus Sūtra, the Buddha first preached various provisional teachings, which were later merged into the Lotus Sūtra, the only way to Buddhahood. All the people in Japan misinterpret this, saying that since various provisional teachings were merged in the Lotus Sūtra, they all are equal in value or in depth of meaning. Thus, it is said, reciting the name of Amitābha Buddha (the Buddha of Infinite Life), chanting mystic mantra words, practicing Zen meditation, or keeping and reciting the names of any of the sūtras, Buddhas, and bodhisattvas are equivalent to practicing the Lotus Sūtra, and therefore those who practice any of these are true practicers of Buddhism.

I say this is a great mistake.

Nyosetsu Shugyō-shō, True Way of Practicing the Teaching of the Buddha, Writings of Nichiren Shōnin, Faith and Practice, Volume 4, Page 89

And another area where Hsuan Hua and Nichiren would disagree would be the utility in devotion to World Voice Perceiver Bodhisattva.

The chapter on Guan Shi Yin Bodhisattva, the Chinese name for World Voice Perceiver, was the opening chapter for Hsuan Hua’s lectures on the Lotus Sutra that became his 14-volume commentary. Devotion to Guan Yin Bodhisattva is a repeated topic throughout the commentary. Here’s one example from the discussion of Chapter 21, The Supernatural Powers of the Tathāgatas. This sort of digression from the commentary  is labeled a Timely Teaching:

With Every Recitation, You Gain A Measure Of Benefit

We’re now holding a Guan Yin session. You could say that this Dharma is difficult to encounter in hundreds of thousands of millions of eons. You shouldn’t think it’s easy to recite Namo Guan Shi Yin Bodhisattva. With every recitation, you gain a measure of benefit. The chapter “The Universal Door of Guan Yin Bodhisattva” states that “if beings overwhelmed with sexual desire can be constantly and reverently mindful of Guan Yin Bodhisattva, their passion will subside…. If dull and foolish beings can be constantly and reverently mindful of Guan Yin Bodhisattva, they will leave ignorance behind.”

Isn’t it true that these are the greatest of benefits? If you’re overcome with desire and lust, your mind will have neither peace nor joy. How do you leave desire behind? You can leave desire behind by reciting Guan Yin Bodhisattva’s name.

“If beings beset by much anger can be constantly and reverently mindful of Guan Yin Bodhisattva, they will rid themselves of anger.” There’s an adage that says,

A tiger-like spirit and delusion’s blaze
Spring from the roots of offenses in former lives’ days.

The blaze of your anger is a tiger-like spirit. Nothing is more ferocious. Why are you beset by so much anger? This anger stems from the offenses you committed in former lives. If you can be constantly and reverently mindful of Guan Yin Bodhisattva, you’ll be free from anger. Your bad temper will fade away.

Let me tell you something. I used to have a temper bigger than anyone else’s. I was always getting mad at people. If I wasn’t beating them, I was scolding them. I’ve told you this many times. When I was little, I loved to hit and scold people. No matter who they were, I made them submit to me. I’d beat up anybody who refused to do what I said. But now I no longer like to hit or scold anyone. I don’t know how or when I got rid of my anger, but it’s gone.

“Who said so?” you say. “You’ve still got a bad temper!” You’ve never seen me in a bad temper. It would’ve scared you to death. My temper disappeared because I recited Guan Yin Bodhisattva’s name.

We’re holding a Guan Yin session right now. Whenever you’ve got time, whether you’re a monastic or a layperson, you should recite Guan Yin Bodhisattva’s name. Laypeople who aren’t working, unless you’re particularly busy or have important business to attend to, should come and recite Guan Yin Bodhisattva’s name. Reciting only one time is better and more meritorious than earning a hundred dollars in a day.

You may think, “What use is reciting Guan Yin Bodhisattva’s name?” It’s very useful. “But if I earn a hundred dollars, I can buy food to eat. Reciting Guan Yin Bodhisattva’s name isn’t going to fill me up when I’m hungry.” You think that because your heart isn’t pure and true. If you had a pure heart, you’d naturally become full. Not only would you be full, you’d have sweet dew in your mouth while you were reciting. Guan Yin Bodhisattva would anoint you with sweet dew so that while you were reciting Guan Yin Bodhisattva’s name, you’d taste something sweeter than candy. If you don’t recite, you won’t have this experience. But if you do recite, it’ll happen naturally. I’m most certainly not lying to you. If you sincerely recite Namo Guan Yin Bodhisattva, you’ll experience a flavor sensation sweeter than eating candy.

You don’t know the benefits of reciting, so you think you can just goof off, make phone calls, or go do other things. You’re just wasting precious time by failing to be single-minded. When you focus, you’ll forget about everything else, including eating and wearing clothes. All that remains is that one phrase, Namo Guan Shi Yin Bodhisattva.

If you can achieve that, Guan Shi Yin Bodhisattva will anoint your crown with sweet dew and pat you on the head, saying, “You’re such a good kid. Good boy! Good girl! Bring forth the great resolve for bodhi. I’ll help you. As you progress on the Path, you’ll be free from demons. You’ll be successful in your cultivation.” However, you can only achieve this through sincere practice.

Hsuan Hua Lotus Sutra Commentary, v12, ch21, p21-23

While driving with my wife to the Sacramento Nichiren Buddhist Church last Sunday, I was discussing how devotion to World Voice Perceiver Bodhisattva and chanting Namu Kanzeon Bodhisattva could be considered a part of the Lotus Sutra. Who could object? But then I realized Nichiren would:

Chanting “Namu Myō hō Renge Kyō ” swallows up the functions of “Namu Amida Butsu,” “Namu Dainichi shingon,” and “Namu Kanzeon bosatsu” as well as all the Buddhas, sutras, and bodhisattvas. All these will be of no use without the functions of the Lotus Sutra. This can be seen by everyone, for it has been realized in front of everyone. When I, Nichiren recite “Namu Myō hō Renge Kyō ” the function of “Namu Amida Butsu” disappears just as the moon wanes, the tide ebbs, grasses in autumn and winter wither and ice melts under the sun.

Essay on Gratitude, Hoon-Jō, Writings of Nichiren Shonin,
Volume 3, Page 48


Next: Studying the Dharma

Myōhō Renge Kyō Promise for Dec. 25, 2025

The Lotus Sutra is the true teaching because the Buddha Sakyamuni preached it from the bottom of his heart exactly as he was enlightened. Other sutras were taught according to listeners’ level of understanding. The Buddha teaches righteousness. The chanting of the sutra will lead us to righteousness unconsciously. For example, the creeping mugwort grass among the hemp will grow straight, or the body of a snake will become straight if it goes into a straight pipe, or if one has good friends, his attitudes will become good. Likewise, one who believes in the Lotus Sutra will attain Buddhahood.

Merits of the Lotus Sutra, Zui-Ji-I Gosho

About this project

Daily Dharma for December 25, 2025

20251225-ddi

Illustration by Google Gemini

Show Gemini's thinking

Comprehending the Request
I'm focusing on the user's intent: a square image that visually narrates a Buddhist story, using Japanese visual motifs. I'm actively breaking down the narrative elements to identify key scenes and symbols suitable for illustration. I'm looking for a straightforward approach that emphasizes symbolic storytelling.

Mapping Visual Elements
I'm now refining the visual elements. I'm focusing on the characters: the Dragon King's daughter, the Buddha (Shaka Nyorai), and the Bodhisattvas, including Mañjuśrī. I'm exploring how to depict the moment of transformation within a square format, ensuring the traditional Japanese Buddhist painting style is evident. I'm considering compositions that effectively show the characters' expressions and the daughter's offering.

Formulating a Composition
I'm presently focused on the composition, trying to balance key elements within the square frame. I'm prioritizing the dynamic transformation of the Dragon King's daughter. I need to make sure the presence of the Buddha and the Bodhisattvas are visible, as well as the symbolic impact of the offering. The goal is to emphasize the power of the event, and I'm deciding on how the composition will guide the viewer's eye. I'm making sure to include the quote in calligraphy.

Confirming Visual Elements
I'm checking that the generated image satisfies the user's request. It's a square illustration in a Japanese Buddhist iconography style and depicts the Dragon-King's daughter offering a gem to the Buddha. The figures seem to be accurate, and the aura appears to be golden.

Evaluating The Composition
I'm now assessing the illustration's adherence to the original brief. It's indeed square and styled after Japanese Buddhist iconography, with the intended subject matter. The daughter, gem, and Buddha are all clearly present, alongside a golden aura. The incorporation of the relevant quote on a scroll appears appropriate.

She said, “Look at me with your supernatural powers! I will become a Buddha more quickly.”

These are the words of the young daughter of Dragon-King Sāgara in Chapter Twelve of the Lotus Sūtra. Mañjuśrī Bodhisattva knew that she was capable of becoming a Buddha, but none of the other Bodhisattvas or anyone else gathered to hear the Buddha teach believed that she could attain enlightenment. Before making this statement, she offered a priceless gem to the Buddha. In less time than it took for the Buddha to accept her offering, she herself became a Buddha before the eyes of all who doubted her. This story shows that all beings can become enlightened, male and female, young and old, human and non-human. When we lose our doubts about others’ enlightenment, we also lose our doubts about our own.

The Daily Dharma is produced by the Lexington Nichiren Buddhist Community. To subscribe to the daily emails, visit zenzaizenzai.com

Studying the Dharma

My stated goal for maintaining this website “is to help remember the goals and the causes made and lessons learned.”  My memory has never been good. In college I needed to transcribe my notes soon after a class in order to create study material needed to pass my tests. At 74 my memory is basically shot. Why did I enter this room?

I was amused in reading in Chinese Master Hsuan Hua’s commentary on the Lotus Sutra his explanation of how he studied as a new monk. He had a natural talent and because it was so effortless he was puzzled at why others struggled.

During the first summer session, I said to one of my disciples, “We meditate and we study.” In most monasteries, they either focus on meditation and don’t study sūtras or focus on studying sūtras and don’t meditate. In other monasteries, cultivators meditate in the winter and study sūtras in the summer. They lecture on the sūtras in the summer, but only for two hours a day. The remaining hours are often wasted. Those who are self-motivated may learn some Dharma on their own. Those who aren’t go to sleep after the sūtra lecture, or they run off to enjoy the scenery of the mountains and rivers. This reminds me of myself. …

Whenever any Dharma master lectured on the sūtras, I came to listen. When the lecture was over, I ran off to the mountains to enjoy the scenery: the water, hills, flowers, and trees. I had a lot of fun. My fellow students watched me pretty closely. I never said a word all day long, so nobody knew what I was up to. When the time came for the daily review, most of the students read from their notes. I recited the whole thing from memory. I repeated everything the Dharma master had said without missing or adding a single word. If I’d added something, I would’ve added my own opinion; if I’d missed something, I would’ve been forgetful. So, I didn’t add or omit a single word.

At that time there were more than thirty of us studying the sūtras. Some had studied for over ten years, some for seven or eight, and some five or six. I was in my first year – three months into my first year, to be exact. They thought my ability was very strange. They asked me, “How can you repeat the lecture word for word like that? How can you remember it so clearly?”

Can you guess what my reply was? I told them, “I’ve studied it before.” To say nothing of studying it, I hadn’t even seen the books before. I said I’d studied it because I remembered it immediately when I heard it. So I figured that I must’ve studied it somewhere before.

They said, “Oh, you studied the sūtras before?”

“Right,” I said. “I’ve been studying them for a long time.”

When I studied the Buddhadharma, I was very naughty in some respects, but I did follow the rules. I wasn’t like you; you’re very well-behaved and don’t fool around, but when you’re quizzed, you forget everything you’ve learned. For example, I expected you to be able to recite from memory for today’s visitors what I taught last Saturday, since only four days have passed. How embarrassing that nobody remembered anything! This is the opposite of my experience as a student. I didn’t pay attention to how other people learned. I thought everyone learned the same way as me, mastering the principles yet being completely unattached to them.

I said I was enjoying the scenery of the mountains and rivers, but actually I wasn’t paying attention to the scenery. Then what was I doing? I would enter the “samadhi of studying.” I was up in the mountains, looking at the mountains – but my mind wasn’t focused on the mountains, it was focused on the Buddhadharma. I was down by the water, but my mind was still studying the Buddhadharma, reflecting on what the Dharma master had said during the lecture and investigating it very thoroughly. By the time of the review session, I could perfectly articulate the material. My method of learning the Buddhadharma was very different from yours.

You Americans study the Buddhadharma American style – open-book Buddhadharma, notebook Buddhadharma. This isn’t very effective. If you can’t remember what you learn without the book, it won’t be of any use. When you study the Dharma, you should review it every night and make sure you grasp what you’ve learned during the day. That’s the right way to study the Buddhadharma.

“I don’t have the time,” you complain.

When you don’t have the time, you have to find the time to study. If you’ve got lots of time, that doesn’t count as studying the Buddhadharma.

In your busiest hours, you should pick up the Buddhadharma and then afterward put it aside. Picking it up means you remember it very clearly. Putting it aside doesn’t mean forgetting it, forgetting what you learned last month or last year. Rather, it means storing it in your tathāgatagarbha. Then when the time comes, you have direct access to what you learned. Your tathāgatagarbha can accommodate an infinite amount of knowledge, and you’ll always be able to access what’s stored there. That’s considered learning the Buddhadharma.

Hsuan Hua Lotus Sutra Commentary, v11, ch18, p4-7

Myōhō Renge Kyō Promise for Dec. 24, 2025

A singing bird in a cage attracts uncaged birds, and the sight of these uncaged birds will make the caged bird want to be free. Likewise, the chanting of Odaimoku will bring out the Buddha-nature within ourselves.

The Buddha-nature of Bonten and Taishaku will be called by the chanting and will protect the chanter. The Buddha-nature of Buddhas and Bodhisattvas will be pleased to be called. For attaining Buddhahood quickly, one must lay down the banner of arrogance, cast away the club of prejudice, and chant “Namu Myoho Renge Kyo.”

Appearance of Buddha-nature, Hokke Shoshin Jobutsu Sho

About this project

Daily Dharma for December 24, 2025

20251224-ddi

Illustration by Google Gemini

Show Gemini's thinking

Focusing on Buddhist themes
I'm now zeroing in on the Buddhist aspects requested. I've broken down the central quote from the Lotus Sūtra and am evaluating the key elements that need to be visually present to convey the core meaning. Next, I need to come up with ideas to communicate the themes effectively. The next iteration will refine these concepts into something more concrete.

Refining visual concepts
I am now translating the text into visual elements. The central scroll represents the "king of sūtras", with the Buddha and Medicine-King Bodhisattva. Smaller scrolls symbolize the criticism of other teachings. A path will lead to a halo, representing the Buddha's wisdom. I will incorporate Japanese iconography, such as cherry blossoms, pagodas, and clouds, into the art to achieve the desired effect. The artwork will follow a 1:1 aspect ratio.

Conceptualizing the composition
I'm solidifying the visual framework for this piece. The main scroll will anchor the composition, symbolizing the Lotus Sūtra's preeminence. I'm placing the Buddha and Medicine-King Bodhisattva centrally, and using smaller scrolls to represent subordinate teachings. The path to enlightenment will guide the eye towards the central halo. I'll employ traditional Japanese elements like cherry blossoms, pagodas, and clouds to achieve the desired aesthetic and mood.

Verifying the Illustration
I'm checking that the generated image satisfies the user's request. It's a square format suitable for Instagram, and it includes the specified Buddhist iconography: the Buddha and Medicine-King Bodhisattva. The crucial element, the quote from the Lotus Sūtra, is also present.

Confirming the Composition
I've confirmed that the image aligns with the user's criteria. It's properly formatted as a square, suitable for Instagram, and features the requested Buddhist elements: the Buddha and Medicine-King Bodhisattva. The key quote from the Lotus Sūtra is also incorporated as requested. I am now preparing the image for delivery.

In this profound sūtra
The teachings for the Śrāvakas are criticized.
Those who hear
That this sūtra is the king of all the sūtras,
And think over this sūtra clearly after hearing it,
Know this, will approach the wisdom of the Buddha.

The Buddha sings these verses to Medicine-King Bodhisattva in Chapter Ten of the Lotus Sūtra. He has already declared that the sūtra he is teaching is the closest to his own wisdom, that it is different from anything he has taught before, and that it is the teaching for Bodhisattvas. The expedient teachings he gave to Śrāvakas before this sūtra were limited because they did not show the way to enlightenment for all beings. As we keep this sūtra in our minds, and learn to recognize it in our daily lives, we not only approach our own enlightenment, we lead all beings to enjoy the Buddha’s wisdom.

The Daily Dharma is produced by the Lexington Nichiren Buddhist Community. To subscribe to the daily emails, visit zenzaizenzai.com

Illustrating the Daily Dharma

February 28, 2026
Updated prompt after Gemini updated Nano Banana
Updated how kanji translation is accomplished.

January 29, 2026
Updated prompt info and explained signature addition.
Updated how kanji translation is accomplished.


I’m illustrating the Daily Dharma received via email daily from  zenzaizenzai.com. Here’s the process I use.

At Gemini.Google.Com, you can automate tasks with Gems. A gem is a reusable set of instructions telling the AI what you want to accomplish. Before Google updated Nano Banana, my Illustrated Daily Dharma Gem said:

Create a square illustration. The illustration should utilize Japanese Buddhist iconography. Do not use symbols or images representing Amida Nyorai (Amitabha Buddha), the Buddha of Infinite Light and Life, or Dainichi Nyorai (Mahavairocana Buddha), the cosmic Buddha who embodies the absolute truth of the universe.

Limit kanji and English text

Traditional Japanese paintings contain a artist signature with red stamp. Create a kanji signature that says “Gemini” with a suitable red stamp below. Place this signature and stamp in the illustration in a suitable location and in an appropriately small size.

I added the request that Gemini sign its illustration in January 2026 because Gemini would randomly add pretend signatures. Why not make it always say Gemini?

In late February, Google updated Nano Banana 1 to Nano Banana 2. Same great illustrations but the “thinking” Gemini uses to explain how it developed its idea for the illustration became muddled. Since I was adding Gemini’s thinking to the illustration everyday, I decided that I should have Gemini write its own summary of its thinking.

Through a day’s trial and error I settled on this prompt for my Illustrated Daily Dharma Gem:

[Reasoning Protocol – COMPULSORY]
Before generating any image, Summarize your thinking in a paragraph of fewer than 600 words. Include identification of individuals in the illustration. Translate any kanji text.

[Visual Directive]
Create a square illustration utilizing Japanese Buddhist iconography.

Strict Exclusions: Do not use symbols or images representing Amida Nyorai (Amitabha Buddha) or Dainichi Nyorai (Mahavairocana Buddha).

Text/Kanji: Limit English and general Kanji.

Artist Signature: Include the Kanji signature 双子座 with a red square seal (hanko) containing the katakana ジェミニ. Place this signature/stamp in a traditional, subtle location.

The default tool for this Gem is the Image Generator (Nano Banana). The tool defaults to “fast,” which doesn’t involve any “thinking.” I prefer to use Thinking. I tested the thinking levels with whether you can get Gemini to draw Universal Sage riding a six-tusked white elephant. (I wrote about this problem here.) Both Fast and Pro resulted in a standard two-tusk elephant. The Thinking version in this test had three tusks, one on the near side and two on the far side. (Test images: Quick, Thinking or Pro)

Each morning, I click on the Gem and then paste the text for that day’s Daily Dharma into the prompt. I select the “Thinking” mode and submit that prompt and Gemini performs its magic.

With the updated prompt I get a summary of the thinking explaining the illustration and then the actual image.

If there are errors or I want the image generator to focus on a different aspect of the text, I can request a do-over by updating the prompt and resubmitting.

Once I’m satisfied, I download the image to my computer and then upload it into the website.

For some time I have wanted to be able to add illustrations to the Daily Dharma. Years ago I explored using Google’s image search feature, but the process was too cumbersome and unreliable. The Gemini process is dead simple.

Myōhō Renge Kyō Promise for Dec. 23, 2025

The Saha-world is the world of the Original Buddha and is the eternal Pure Land, which is free from the three calamities and the four kalpa. In this eternal world, the Buddha never disappeared in the past, nor is He to appear in the future. In consequence, all living beings under the Buddha in the Saha-world are one with Him and eternal. It is because those who believe in the Lotus Sutra, live in the land where they have united themselves with the Buddha and attained the truth of “the three thousand existences in one thought.”

Realization of Buddhahood, Kanjin Honzon Sho

About this project

Daily Dharma for December 23, 2025

20251223-ddi

Illustration by Google Gemini

Show Gemini's thinking

Considering Core Concepts
I'm currently focused on the central ideas of the Buddhist text. The key elements are suffering caused by ignorance and the cyclical nature of rebirth, visualized as "blindness" and "darkness" leading to "evil regions." I'm trying to decide how to represent these complex ideas visually in a single, square Instagram-friendly illustration.

Refining Visual Metaphors
I'm now focusing on a way to visually divide the illustration into sections. I'm exploring the use of traditional Japanese Buddhist imagery, like emakimono and sumi-e techniques, to depict the key concepts. I'm experimenting with placing the Buddha figure above the darkness. Also, I am attempting to ensure that the Lotus Sutra is included with the Buddha.

Conceptualizing Compositional Elements
I'm now focusing on arranging the elements within the square format. I'm considering a clear visual division, with darkness and suffering occupying the lower section and the enlightened realm above. The Buddha, radiating light, will be central, possibly seated on a lotus, and holding the Lotus Sutra. I'm exploring how to include figures from the lower section reaching upward towards the light.

Analyzing The Visuals
I'm currently evaluating the visual execution of the concept. It seems to adhere well to the described Japanese Buddhist art style and effectively communicates the interplay between suffering and liberation. The central figure resonates as a beacon of light, guiding those in darkness. The composition seems to successfully capture the essence of the user's prompt.

Evaluating the Relevance
I've examined the latest iteration and found it to completely align with the user's focus on suffering and liberation through the chosen aesthetic. The central Buddha figure is indeed the guiding light, and all elements contribute to the requested feel. The square format works well. It fulfills the user's intent.

Kanji translation
Top Left Text: 一切衆生、苦悩に沈む。

一切衆生 (Issai Shujō): All sentient beings (all living things)

苦悩に沈む (Kunō ni Shizumu): Sink into suffering (or agony)

Translation: "All sentient beings sink into suffering."

Text on the Scroll: 妙法蓮華経

妙法蓮華経 (Myōhō Renge Kyō): The Lotus Sutra (The Sutra of the Lotus Flower of the Wonderful Law)

All living beings are suffering.
Being blind, they have no leader.
They do not know how to stop suffering,
Or that they should seek emancipation.
In the long night fewer people go to heaven,
And more people go to the evil regions.
They go from darkness to darkness, and do not hear
Of the names of the Buddhas.

The children of Great-Universal-Wisdom-Excellence Buddha proclaim this to their father in a story told by Śākyamuni Buddha in Chapter Seven of the Lotus Sūtra. They understand that when beings are so preoccupied with their own happiness, and so convinced that this happiness comes from what they can acquire, that they need an enlightened being to lead them to see the world as it is. With the Lotus Sūtra as the embodiment of the Buddha’s highest teaching, we have the same wisdom present to us as those children’s father was to them.

The Daily Dharma is produced by the Lexington Nichiren Buddhist Community. To subscribe to the daily emails, visit zenzaizenzai.com

On the Journey to a Place of Treasures