Category Archives: AI Contribution

Daily Dharma for August 17, 2026

20260817-ddi

Illustration by Google Gemini

Show Gemini's thinking

Conceptual Summary
The conceptual thinking for this image translates Nichiren's warning about the "Latter Age of Degeneration" into a visual dichotomy within a traditional Japanese Buddhist silk painting. The primary interpretation centers on revealing hidden danger versus genuine devotion. The composition establishes a sharp contrast: on the left, a large, ornate group of monks, adorned in fine silk and elaborate robes, visually represents those who "pretend to be high priests" while teaching provisional doctrines to gain power. They are positioned against a background of dark smoke containing tigers and swords—the physical threats that Nichiren states people should actually fear less than these misleading clerics. This group receives the misplaced veneration of laypersons. In stark contrast, on the right, a solitary, humble practitioner, distinguished by a subtle halo, is depicted focusing solely on a plain Lotus Sutra scroll. Their light, soft-colored background, including the glowing halo, symbolizes adherence to the "Wonderful Dharma." The entire scene utilizes mineral pigments and subtle gold leaf on silk to establish the historical context of Nichiren's era, with the cracked temple symbolizing the decay of institutional authority in the degenerate age, reinforcing that true refuge lies in the Lotus Sutra, not external powerful figures.

Iconography & Character Identification
Item 1: Deities/Figures Featured:

A group of ornate 'Provisional Teachings' monks (on the left, with lay followers)

A solitary, devoted 'True Dharma' Lotus Sutra practitioner (on the right, with halo)

Misguided laypersons (venerating the ornate monks)

Note: Per the exclusion request, no representations of Amida Nyorai or Dainichi Nyorai are featured.

Item 2: Text Translations:

Kanji Signature (Lower Right): 双子座 — Gemini (Traditional name for the zodiac sign)

Hanko Seal (Red Square): ジェミニ — Gemini (Phonetic spelling of "Gemini" in Katakana)

Thus, what the people in the Latter Age of Degeneration should be afraid of are not swords and sticks, tigers and wolves, or the ten evil acts and the five rebellious sins but those monks who wear Buddhist robes and pretend to be high priests without knowing the true teaching and those people who regard monks of provisional teachings as venerable and hate the practicers of the True Dharma of the Lotus Sutra.

Nichiren wrote this passage in his Treatise on Chanting the Great Title of the Lotus Sūtra (Shō Hokke Daimoku-shō). In Nichiren’s time, Buddhist monks had a great influence on the leaders of Japan, and thus on the lives of ordinary people. Wars, taxes, disease and education were no less important in Nichiren’s time than they are now. Nichiren recognized that the greatest danger came not from external forces, but from those within the country who took positions of power to benefit themselves rather than others. Nichiren’s reliance on the Wonderful Dharma, and his refusal to be coerced by his persecutions, show us how to live in this degenerating age.

The Daily Dharma is produced by the Lexington Nichiren Buddhist Community. To subscribe to the daily emails, visit zenzaizenzai.com

Faith and Practice in Nichiren Buddhism

Diamond Patho of Daimoku

While working on the Diamond Path of Daimoku project I came to realize that I had a very shallow understanding of what Nichiren taught about the Daimoku.

I was first introduced to the Daimoku through Soka Gakkai’s make-a-wish formulation. Dissatisfied with the concept that Buddhism is all about personal satisfaction, I joined Nichiren Shu. Still unhappy with the practice, I have been promoting the six pāramitās during Higan week, the three days before and three days after the Equinox. I felt  there wasn’t enough focus on being good Buddhists, of acting in ways that showed charity, morality, patience, vigor, meditation and wisdom.

The other day a visitor who had explored the Diamond Path of the Daimoku website asked:

I watched day 3 of your minute-long videos. … I don’t understand how chanting the Odaimoku substitutes for the 8-fold path. How does chanting a phrase accomplish what the path prescribed by the Buddha is supposed to do?

In reading that comment I had to admit I was a little puzzled too. But as it turns out, the day I received that email happened to be the same day my daily reading from Lotus Sutra included Chapter 7, the Parable of the Magic City, where we learn that the 8-fold-path and all of the other expedient teachings were just a rest stop on the journey to the place of treasures.

This was certainly one explanation that fit my understanding of the Lotus Sutra, but it wasn’t really the right explanation about why chanting the Daimoku makes the 8-fold-path superfluous in Nichiren Buddhism.

One of the reasons I often appear so excited about the age of Artificial Intelligence is that I now have a tool with which to answer questions like these. Sure, in a perfect world, I would have a teacher with whom I studied and with whom I could have my questions answered, but that’s not realistically available to me. No one has the time or the inclination to answer all of the emails I would send.

What I do have is a tool created by Google. I have uploaded sources of information about the teaching of Nichiren into Google’s Gemini Notebook. I currently have more than 80 of these sources uploaded – academic papers, Nichiren’s writings and quotes I’ve collected from my reading. (See this list.) This tool can answer my questions. The answers are drawn from the sources. The tool does not go out and find answers on the Internet; it reads the sources it has been provided and answers based on the content of those sources. If the sources don’t address a particular issue, the tool states that.

Over the next four days I’m going to post the answers to these questions:

  1. Considering that Nichiren revealed that we do not need to walk the long, eon-spanning path of gradual self-cultivation because the Buddha has already completed that arduous journey for us, is Nichiren Buddhism a “faith-based” rather then a “works-based” practice?
    The Gateway of Odaimoku: Faith and the Buddha Nature
  2. Build a comparative chart contrasting the stages of the traditional “works-based” path (the six paramitas and monastic precepts) with Nichiren’s nondual “faith-based” model of juji soku jikai.
    The Shift to Immediate Enlightenment in Nichiren Buddhism
  3. Given the importance of faith in Nichiren Buddhism, explain Nichiren’s emphasis on strict ‘polishing’ and practice.
    The Dynamic Practice of Nichiren Buddhism
  4. Reconcile the theological shift from a gradual, “works-based” path to the immediate, “faith-based” nonduality of Nichiren Buddhism with Nichiren’s emphasis on strict ‘polishing’ and practice.
    The Nondual Practice of Nichiren Buddhism

Daily Dharma for August 16, 2026

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Illustration by Google Gemini

Show Gemini's thinking

Conceptual Summary
The illustration interprets a pivotal moment from Chapter Eight of the Lotus Sūtra, focusing on Śākyamuni Buddha’s profound teaching to the Five Hundred Bhikṣus. Adhering to traditional Japanese Buddhist iconography, it utilizes mineral pigments and gold leaf on silk to establish a timeless, sacred atmosphere. Śākyamuni Buddha is depicted centrally, radiating compassionate light and delivering the key insight: their prior attainment was incomplete, as he long ago ensured they planted the 'good root' of true Buddhahood. The monks, shown below, are captured in a collective moment of spiritual dawning. Their prior diligence to eradicate suffering is visible in their mature, composed figures, while their expressions and mudras of realization convey a shared understanding that their latent potential is now awakened. The composition emphasizes the direct connection between the Buddha's timeless reminder and the monks' realization of their boundless spiritual capacity, moving them toward his ultimate joy.

Iconography & Character Identification
Item 1: Deities/Figures Featured: Śākyamuni Buddha and the assembly representing the Five Hundred Bhikṣus (monks). Also visible are various Bodhisattvas and celestial beings (Devas) in the background clouds.

Item 2: Text Translations:

双子座: "Gemini"

ジェミニ: "Gemini"

You, the World-Honored One, saw that the aspiration for the knowledge of all things was still latent in our minds; therefore, you awakened us, saying, ‘Bhikṣus! What you had attained was not perfect extinction. I caused you to plant the good root of Buddhahood a long time ago.’

Five hundred of the Buddha’s monks give this explanation in Chapter Eight of the Lotus Sūtra. In the story, the Buddha has just assured them of reaching the same enlightenment he found. These monks had worked diligently for many years to rid themselves of suffering, and taught many other beings to become Bodhisattvas and reach the Buddha’s enlightenment, thinking they were not capable of reaching this wisdom. Not believing we are capable of something obscures the capability we have. When the Buddha proclaims that he leads all beings, he reminds us of this capacity and inspires us make efforts to bring all beings, including ourselves, to his joy.

The Daily Dharma is produced by the Lexington Nichiren Buddhist Community. To subscribe to the daily emails, visit zenzaizenzai.com

Daily Dharma for August 15, 2026

20260815-ddi

Illustration by Google Gemini

Show Gemini's thinking

Conceptual Summary
The illustration is a visual interpretation of a pivotal moment from the Lotus Sutra, specifically Chapter Twenty-Seven, where the two princes, Pure-Store and Pure-Eyes, appeal to their mother, Queen Pure-Virtue. The composition uses traditional Japanese Buddhist iconography on silk to create a serene, devotional atmosphere. By focusing on the direct interaction between the three figures—the princes with hands joined in anjali mudra (gasping hands) and their attentive mother—the image interprets the source text’s theme of filial and spiritual leading. This moment symbolizes the first step in their mission to convert their father, King Wonderful-Adornment, to the Wonderful Dharma by first establishing consensus within the family structure. The traditional architecture and offerings serve to contextualize the narrative within a sacred, aristocratic environment consistent with ancient Indian Buddhist settings as viewed through a classical East Asian lens.

Iconography & Character Identification
Item 1: Deities/Figures Featured:

Prince Pure-Store (Jp. Jōzangō)

Prince Pure-Eyes (Jp. Jōgen)

Queen Pure-Virtue (Jp. Jōtoku)

Item 2: Text Translations:

'双子座' (Kanji): Gemini

'ジェミニ' (Katakana, within the red seal): Gemini

The two sons, Pure-Store and Pure-Eyes, came to their mother, joined their ten fingers and palms together, and said, ‘Mother! Go to Cloud Thunderpeal-Star-King-Flower-Wisdom Buddha! We also will go to attend on him, approach him, make offerings to him, and bow to him because he is expounding the Sūtra of the Lotus Flower of the Wonderful Dharma to all gods and men.

The Buddha tells the story of King Wonderful-Adornment in Chapter Twenty-Seven of the Lotus Sūtra. The two sons chose to be born at a time when Cloud-Thunderpeal-Star-King-Flower-Wisdom Buddha was alive and led their parents to follow that Buddha and learn the Wonderful Dharma from him. They overcame their father’s attachment to wrong views, not by arguing against those views, but by demonstrating the wonders that come from the Buddha’s great teaching. This shows how when we as Bodhisattvas live this difficult teaching we lead others to it.

The Daily Dharma is produced by the Lexington Nichiren Buddhist Community. To subscribe to the daily emails, visit zenzaizenzai.com

Daily Dharma for August 10, 2026

20260814-ddi

Illustration by Google Gemini

Show Gemini's thinking

Conceptual Summary
The illustration is a traditional Japanese Buddhist painting on silk, interpreting the Lotus Sutra passage where Śākyamuni Buddha reveals to Śāriputra that his prior teachings on Nirvāṇa were expedient, not absolute, extinction. The central Śākyamuni figure, seated in tranquil meditation, represents the ultimate realization. To show the 'expedient teachings,' a golden, luminous energy flows from him, guiding suffering individuals—those emerging from the murky clouds of delusion on the right—along a shimmering path towards the 'pure land' landscape. A key visualization is that these suffering figures are already stepping onto the luminous ground: they are not reaching for a far-off place, but realizing that the tranquil, enlightened state is present right now. The integration of the Kanji '本来寂滅相' (Honrai Jakumetsu Sō) reinforces that all things are from the outset inherently still and extinct of delusion. Śāriputra kneels below, receiving this profound, non-dualistic teaching.

Iconography & Character Identification
Item 1: Deities/Figures Featured:

Śākyamuni Buddha (釈迦如来): The central figure seated on the lotus throne.

Śāriputra (舎利弗): The kneeling disciple at the Buddha's feet.

The Multitude: A group of five relieved practitioners rising from the state of suffering (生死世界).

Item 2: Text Translations:

双子座 (Kanji Signature): Gemini

ジェミニ (Katakana Seal): Gemini

本来寂滅相 (Text within image): "From the outset, all things are in the state of tranquil extinction." (Quoted from the source text and Lotus Sūtra).

Therefore, Śāriputra!
I expounded an expedient teaching
In order to eliminate their sufferings.
That was the teaching of Nirvāṇa.
The Nirvāṇa which I expounded to them
Was not true extinction.
All things are from the outset
In the state of tranquil extinction.

The Buddha provides this explanation to his disciple Śāriputra in Chapter Two of the Lotus Sūtra. In this part of the story, the Buddha has announced that everything he had taught up until then, including the teachings of suffering and Nirvāṇa, were merely preparation for his highest teaching: the realization of the same enlightenment he reached. With the teaching of Nirvāṇa, the Buddha helps us take responsibility for our own situation rather than relying on an external force to make us happy. One problem with Nirvāṇa is that we can believe that it is something we do not have now. When we extinguish the fires of our delusion, we see the world with the Buddha’s eyes. We see the world for what it is, right here and right now.

The Daily Dharma is produced by the Lexington Nichiren Buddhist Community. To subscribe to the daily emails, visit zenzaizenzai.com

In Praise of Kenji Miyazawa

Download the Japanese pamphlet

This is Gemini’s translation of a 30 page Japanese pamphlet entitled “What I Seek Are True Words. Kenji Speaks, the Universe Speaks.” The pamphlet was published by the Nichiren Shu headquarters but there is no indication of when it was published. I found it among other Japanese language pamphlets in a storage room at the Sacramento Nichiren Buddhist Church.

I’ve written before about Kenji Miyazawa (see this post). In reading this pamphlet, I was especially pleased to finally learn what was written on Giovanni’s ticket to anywhere.

kenji-speaks-02What I Seek Is the Word of Truth

As Told by Kenji, As Told by the Universe

“I do not know how much I pray that a few fragments of these small stories may end up becoming your transparent, true food in the end.”
— From the Preface to the Children’s Story Collection The Restaurant of Many Orders

Miyazawa Kenji — Traveler of the Cosmic Mind

“Let us go together, as far as we can.”

The true words are lost,
Clouds tear apart and fly across the sky.
Ah, at the bottom of a sparkling April,
Gnashes his teeth and burns as he comes and goes,
I am a solitary Asura.
— From Spring and Asura

Light and Darkness

Miyazawa Kenji is a poet of the Lotus Sutra (“the word of truth”). He was a rare soul who communed with the sky, love, apples, wind, and the source of all power—the life of the universe. Namo Saddharmapundarika Sutra (Namu Myoho Renge Kyo) is nothing other than the resonant cry of that communion.

An Asura living with suppressed anger beneath a shining sky—that is how Kenji viewed himself. In his poem titled “Politician,” Kenji wrote: “On this side and that, / everyone causes a fuss / just wanting a drink. / Fern leaves and clouds— / the world is so cold, dark, and silent.” The reality of society from the Taisho to early Showa periods at times seemed to obscure “the great power of virtue that enfolds the world” from Kenji’s eyes.

His 37 years of life burned intensely as he moved back and forth from an Asura to a “Dekunobo” (a blockhead/simple person who desires nothing for himself). Today, when we recite Kenji’s words, strangely enough, torn clouds and April winds seem to blow through our hearts, and from dark forests and transparent mountains, we seem to hear Kenji’s playful, gentle voice.
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The Acorns and the Wildcat

“That writing is pretty poorly done, isn’t it?” the man said, looking down sadly. Ichiro felt sorry for him and said, “Oh, no, it seemed like quite good writing to me.” Hearing this, the man was delighted, gasped for air, turned bright red around his ears, widened his collar, and asked with shy delight in his whole body, “Is the handwriting pretty good too?”

Kindness and Thoughtfulness

A strange postcard from the Wildcat reached Ichiro. It was an invitation to a trial to decide who among the acorns was the most grand. The carriage driver of the Wildcat, who wrote the postcard, diffidently asked Ichiro about his poor writing and lettering. Feeling sorry for him, Ichiro praised his work, and the man was overjoyed.

In child-rearing, it is often said that one should praise rather than scold, because praise brings joy and instills confidence and motivation. Ichiro offered the man that same praise and encouragement.

Through Ichiro’s voice, Kenji is speaking to us about the importance of such kindness and thoughtful consideration for others.
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“Very well. Quiet down! Here is the ruling. The one among you who is the least grand, the most foolish, the most chaotic, the most completely hopeless, and whose head looks crushed—that one is the grandest!”

Everyone Is Precious in Their Own Way

Facing the acorns who were squabbling over who was grander, Ichiro handed down an unexpected verdict: the grandest one is the one who is foolish, utterly hopeless, and simple. This is because comparing who is grander is futile—true greatness can never be judged by outward appearances. Indeed, the verdict dismissed conventional ways of looking at things by implying that comparing oneself to others is inherently foolish.

Ichiro remarked that he “heard this in a sermon.” The Buddha’s teaching explains that every person is a precious being capable of attaining Buddhahood; therefore, human beings can never be ranked as superior or inferior to one another.

In today’s highly competitive society, children are constantly subjected to comparison. Kenji encourages children to realize that everyone is a precious individual who can develop their own uniqueness and gain confidence. If bullying occurs simply because someone is different from others, even the acorns would scold us to cherish one another and respect each person’s individuality.
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Elegy of Aomori (Aomori Banka)

Did she pass through such a lonely station all by herself?Heading toward a direction unknown,
Walking along that path toward who-knows-what kind of world,
Did she walk all alone and lonely?

Whereabouts of the Soul

Kenji’s beloved younger sister, Toshi, was stricken with pulmonary tuberculosis and passed away on November 27, 1922 (Taisho 11), at the young age of 24.

In the Miyazawa family, where his father was a devout follower of Jodo Shinshu, Toshi was the only sister who understood and shared Kenji’s deep faith in the Lotus Sutra. At her deathbed, Kenji chanted the Daimoku (Namu Myoho Renge Kyo) praying for her peace in the afterlife, but it is recorded that he was overcome with unbearable grief and wept bitterly.

After his sister’s death, Kenji’s poetic creation ceased for a period—perhaps due to shock or a sense of utter emptiness. Taking advantage of his summer vacation as a teacher, Kenji suddenly boarded a night train bound for the north. On the night train bound for Aomori, Kenji was seized by a visionary mood. Out of his intense longing and love for his deceased sister, he penned “Elegy of Aomori.”

“Did she pass through such a lonely station all by herself…” Thinking of his sister’s soul, he could not help but ponder her journey into the next world.
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Bare Feet of Light (Hikari no Suashi)

“Please forgive Hio! Please forgive Hio!” Ichiro wept and cried out.
“Walk!” The whip cracked again, so Ichiro shielded Hio with all his strength in both arms.
As he shielded him, Ichiro felt words like “Chapter 16: Tathagata Life Span” reach him like a faint wind, like a subtle scent.

True Salvation

In a fierce blizzard, while tightly embracing his younger brother Hio, Ichiro is gradually buried in snow and undergoes a mysterious near-death experience. What Ichiro experienced there was…

Fearsome demons with terrifying faces struck Hio with whips—a horrifying world of hell itself. Crying bitterly, Ichiro desperately clung to the demons, shielding his brother and begging, “Please forgive Hio.” But the demons shouted, “His sins are not just from this time!” and continued striking Hio. At that moment, the words “Chapter 16: Tathagata Life Span” (Nyorai Juryohon Dai-juroku) faintly reached his ears. When Ichiro murmured those words without fully understanding their meaning, the hellish world instantly transformed into a radiant, shining world of the Buddha. Hio was taken into the Buddha’s world, and Ichiro was returned to the present world.

Nichiren Shonin taught that the true intent of the Buddha is revealed in the Lotus Sutra, and that salvation for all beings exists nowhere outside the Lotus Sutra. Through this story, Kenji conveys that if one encounters the Lotus Sutra, salvation is assured.
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Night on the Galactic Railroad (Gingatetsudo no Yoru)

Long ago on the plain of Valdora, a scorpion lived by killing and eating small insects. One day, a weasel found it and tried to eat it. The scorpion fled with all its might, but was about to be caught by the weasel. Just then, it fell into a well in front of it. Unable to climb out, the scorpion began to drown. At that moment, the scorpion prayed:

“Ah, I have taken countless lives until now. Yet when the weasel tried to take my life, I ran away with all my strength. And now it has come to this. Ah, nothing can be relied upon. Why did I not simply give my body to the weasel without a word? Then the weasel could have survived another day. O God, please look into my heart. Do not let me throw away my life in vain like this; next time, please use my body for the true happiness of everyone.”

Then, the scorpion saw its own body turn into a bright red, beautiful fire, burning and illuminating the darkness of the night.

For the True Happiness of Everyone

Campanella drowned in the river because he tried to save his classmate Zanelli. The young tutor and his pupils chose to entrust themselves to the sinking ship rather than push others aside to board a lifeboat. All the people riding together on the Galactic Railroad were those who had sacrificed their lives for the happiness of others.

By wishing to give its body “for the true happiness of everyone,” the scorpion turned into a bright red, beautiful fire that burns eternally to illuminate the darkness. This story purifies, saves, and illuminates the noble act of Campanella and others who sacrificed themselves.

However, what must not be forgotten here is that the scorpion’s prayer was a prayer “for the true happiness of everyone.” What, then, is “true happiness”? Not just for you or me, but the genuine happiness of all living beings…?
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“My, this is a magnificent thing. This ticket can take you to the true heaven itself. Not just heaven—it is a pass to walk anywhere you please.”

A Ticket That Can Go Anywhere

When the conductor asked to see his ticket, Giovanni hurriedly searched his pockets. He found a green piece of paper about the size of a postcard folded in four, printed with about ten characters. It was a ticket that allowed free travel anywhere—even to the true heaven.

How wonderful it would be if one could freely travel not only across the Earth or through the three-dimensional space of the universe, but also to the four-dimensional world of past and future, and even into the dimensional realm of the Galactic Railroad!

By the way, what were the “about ten characters” printed on the ticket? Kenji rendered Myoho Renge Kyo in Sanskrit transliteration as “Saddharmapundarika Sutra”, which when written in Chinese characters is 「薩達摩芬陀梨伽素多覧」—exactly ten characters! The “about ten characters” on Giovanni’s ticket signified “Myoho Renge Kyo.” In other words, Namu Myoho Renge Kyo is the very ticket that allows free travel anywhere.

Although Giovanni held a ticket to go anywhere delightful, in the end he returned to his home where his sick mother was waiting. He did so because he realized that it is right there at home that he must build “true happiness.”
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“We do not know what true happiness is. But no matter how painful things may be, if it happens on the path toward what is right, every uphill and downhill slope brings us one step closer to true happiness.”

The Path to Happiness

Surely no one refrains from seeking happiness. But what is true happiness? Life is something we cannot understand without walking through it.

The words spoken by the lighthouse keeper to the passengers on the Galactic Railroad are nothing less than a guidebook for life that Kenji wished to leave behind for us. The path Kenji sought to walk was the path once walked by Nichiren Shonin. That is why he could endure any hardship.

For Kenji, Nichiren Shonin was likely his lighthouse keeper, and the beam emitted from that lighthouse was the light of the Daimoku. Kenji believed that living the Lotus Sutra with one’s voice, mind, and body was the absolute best path to happiness, no matter how long and distant that path might be.
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“But we must get off here. This is the place going to heaven,” the girl said mournfully.
“We don’t have to go to heaven! My teacher said we must make this place right here even better than heaven,” Giovanni replied.

“Right Here” Is the Pure Land

“Right here” is the world we live in. “Right here” is by no means an easy world; in the sutras, it is called the Saha World. Saha means a world where one must endure and persevere.

“My teacher” refers to Nichiren Shonin. Nichiren Shonin taught that this Saha world is itself the Pure Land, because it is the world watched over by the Eternal Original Buddha, Shakyamuni. He does not merely watch over us; he wishes for all of us to become Buddhas and guides us toward that goal.

That is why Giovanni on the Galactic Railroad appeals to us: “Let us make this world a place finer than anywhere else!” That is also the eternal vow of Nichiren Shonin: Rissho Ankoku (Establishing Righteousness and Securing the Peace of the Land).
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The Phenomenon Called Life

The Dragon’s Star (Yodaka no Hoshi)
The clouds were pitch black, and only toward the east the fire of a mountain blaze reflected red, appearing terrifying. Feeling a tightness in his chest, the Nighthawk flew up into the sky again. Another beetle flew into the Nighthawk’s throat, scratching and fluttering wildly. The Nighthawk swallowed it down by force, but at that moment his heart suddenly throbbed, and he burst into loud weeping. Weeping, he circled round and round in the sky.

How much sacrifice is required simply because I am alive?

The Nighthawk was mocked by everyone and treated with contempt. Yet even as he flew into the sky resigned to death, several insects—several lives—were being swallowed into his throat. Swallowing struggling lives by force… nothing could be more sorrowful. The Nighthawk could only soar into the sky while weeping.

Kenji grieved over the reality that taking life (Sessho) cannot be avoided. He questioned the true meaning of the phenomenon called “life,” sustained at the cost of so many sacrifices.

In the Lotus Sutra, it is taught that all beings can attain Buddhahood. Every life is positioned as the working of the Buddha’s life. We, in our ignorance, dislike things that appear ugly and despise things that seem foolish. The fire of the mountain blaze in the east represents this terrifying world where people suffer without realizing these truths. The Nighthawk reaches the Buddha’s realm—where he can look back over that world from afar—realizes the true radiance of life, and ultimately becomes that radiance itself, attaining Buddhahood.
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The Earth God and the Fox (Tsuchigami to Kitsune)

“I truly think so too,” the Birch Tree said in a gentle voice. This time, the Earth God felt as though his entire body were being burned by a fluttering, peach-colored flame. His breathing grew labored and became truly unbearable.

Fluttering Pink Flame of Jealousy

The Earth God loved the Birch Tree. But due to his hideous appearance and terrifying strength, even a slight prank from him would cause others to face near-death experiences, making him feared by everyone in the forest. Furthermore, out of pride in being a god, he maintained a stern dignity and never treated others gently. When the Earth God finally made up his mind to speak softly to the Birch Tree and crept closer, he witnessed a visitor—a Fox—talking intimately with her. The Earth God had long disliked the Fox for pursuing the Birch Tree. His brief moment of gentle affection vanished instantly, consumed by burning jealousy.

We often think, “Because I love them so much, I want them to love me back.” This stems from the delusion that we can control another person’s heart. Driven by this delusion, it turns into jealousy that ultimately hurts those around us. This story reveals both the difficulty and the nobility of truly treasuring the one you love.
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Praying for All Our Beloved Ones

From Elegy of Aomori
(Since everyone has been brothers and sisters from long ago,
you must never pray for just one person.)
Ah, I have never done so.
Night and day since she passed away,
not once have I prayed
that she alone should go to a good place.

When a person loses their most beloved one, what do they think and feel? At age 26, having lost his beloved sister Toshi, Kenji embarked on a journey north from Hokkaido toward Sakhalin, creating several magnificent elegies. This poem is one of them. Between the lines of Kenji’s text—as he ponders the world after death where Toshi has gone—one feels as if crimson blood might burst forth.

In Kenji’s mental imagery, countless forms of Toshi come and go: Toshi suffering in hell, Toshi turned into a small bird, Toshi reaching the heavenly realm. Finally, his thoughts sublimated into the prayer of the Lotus Sutra quoted above.

When encountering the line “Since everyone has been brothers and sisters from long ago, you must never pray for just one person,” looking back at oneself, the passage from the Lotus Sutra comes deeply to mind: “I pray that this merit may extend universally to all, so that we and all living beings together may attain the Buddha Way.”
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The Peace of the “Dekunobo”

From Be Not Defeated by the Rain (Ame ni mo Makezu)
When it is dry, shed tears;
In a cold summer, walk around anxiously;
Called a blockhead (Dekunobo) by everyone,
Neither praised
Nor considered a nuisance;
Such a person
I want to become.

The concept of Kiyo Hopen consists of four words: being defamed, being honored, being praised, and being criticized. Liberating oneself from the spell of these four worldly evaluations means living in true peace. Kenji expressed the state of living in liberated peace as becoming a Dekunobo (blockhead/simple person). For a Dekunobo, what is needed is a strong body that is not defeated by rain, wind, snow, or summer heat.

How can one become a Dekunobo? The unification of each of us with the great truth that unifies the universe—which we call the Great Mandala Gohonzon—is the realization of the Dekunobo spirit within us.

When Kenji expressed his Dekunobo spirit in a single poem, he concluded by transcribing this Gohonzon:

Namu Muhengyo Bosatsu (Boundless Practice)
Namu Jogyo Bosatsu (Superior Practice)
Namu Taho Nyorai (Many Treasures Buddha)
NAMU MYOHO RENGE KYO
Namu Shakyamuni Butsu (Shakyamuni Buddha)
Namu Jyogyo Bosatsu (Pure Practice)
Namu Anryugyo Bosatsu (Firmly Established Practice)
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Brief Chronology of Miyazawa Kenji

Year / Age Key Life Events
1896 (Meiji 29) Born on August 27 in Hanamaki City, Iwate Prefecture.
1914 (Taisho 3) — Age 18 Deeply moved upon reading the Lotus Sutra.
1920 (Taisho 9) — Age 24 Completed research studies at Morioka Higher Agricultural and Forestry School.
1921 (Taisho 10) — Age 25 In January, moved to Tokyo without his father’s permission. Around this time, began fiercely writing children’s stories. In December, appointed teacher at Hienuki (later Hanamaki) Agricultural High School.
1922 (Taisho 11) — Age 26 In November, lost his beloved younger sister Toshi.
1924 (Taisho 13) — Age 28 In April, self-published the poetry collection Spring and Asura. In December, published the story collection The Restaurant of Many Orders.
1926 (Taisho 15 / Showa 1) — Age 30 In March, resigned from Hanamaki Agricultural High School. Established the Rasu Farmers’ Association and engaged in agricultural community work.
1931 (Showa 6) — Age 35 In November, wrote “Ame ni mo Makezu” (Be Not Defeated by the Rain) in his notebook.
1933 (Showa 8) — Age 37 Passed away on September 21, leaving a will requesting the printing and distribution of 1,000 copies of the Japanese translation of the Lotus Sutra. Today, Kenji’s grave is located at Shinsho-ji Temple (Nichiren Shu) in Hanamaki City.

“The new era is heading toward a direction where the world becomes of one consciousness and one living organism.”
— From Outline of Farmers’ Art

 

Produced by: Administrative Headquarters of Nichiren Shu
Edited by: Nichiren Shu Shimbunsha
Design: Studio Hiro
Original Japanese text based on Complete Works of Miyazawa Kenji (Kohon Edition).

“May this body scatter into fine dust across the sky.”
— Spring and Asura

Daily Dharma for August 13, 2026

20260813-ddi

Illustration by Google Gemini

Show Gemini's thinking

Conceptual Summary
The illustration depicts the central moment from Chapter Two of the Lotus Sūtra as described in the source text. Śākyamuni Buddha is positioned centrally and elevated, representing his joyful and fearless expounding of the "unsurpassed enlightenment." To visually distinguish this moment from other esoteric or pure land traditions, the iconographic constraints were strictly applied; the Buddha is not Dainichi or Amida. He is surrounded specifically by Bodhisattvas, visually answering the text's core theme that the highest teaching is intended precisely for these beings of great resolve. Their expressions of reverence and attentiveness represent the state of listeners who have "laid aside all expedient teachings" and "habits of fear and doubt." The background, with its mountains and mist, provides a classical setting for the "world of conflict and delusion" that the Bodhisattvas have chosen to enter and illuminate through wisdom. The traditional silk, soft mineral pigments, and subtle gold leaf reinforce the sacred, ancient nature of this teaching moment.

Iconography & Character Identification
Item 1: Deities/Figures Featured: Śākyamuni Buddha (seated centrally in the vitarka mudra on a lotus throne) and an assembly of Bodhisattvas (surrounding him, appearing in various poses of reverence, holding scrolls, forming anjali mudra, or bearing gifts).

Item 2: Text Translations: The signature '双子座' in the bottom-left corner translates to 'Gemini' or 'The Twins Constellation.' The characters within the red square seal (hanko) are katakana 'ジェミニ', which transliterates to 'Jemini'.

I am now joyful and fearless.
I have laid aside all expedient teachings.
I will expound only unsurpassed enlightenment
To Bodhisattvas.

The Buddha sings these verses in Chapter Two of the Lotus Sūtra. When the Buddha says he only teaches Bodhisattvas, he does not mean that he holds his highest teaching back from anybody. For us to be able to hear what the Buddha teaches, we must awaken our image of ourselves as Bodhisattvas who chose to come into this world of conflict and delusion. If we try to use the Buddha’s teaching to gratify our own delusions, we will only create more suffering. It is only when we set aside our habits of fear and doubt that we can gain wisdom through practicing the Wonderful Dharma.

The Daily Dharma is produced by the Lexington Nichiren Buddhist Community. To subscribe to the daily emails, visit zenzaizenzai.com

Considering Why Must It Be the Daimoku of Nichiren Shu?

In reading the 1985 Nichiren Shu brochure O-Daimoku: The Five and Seven Characters of Namu Myoho Renge Kyo, I was taken aback at how much space was devoted to criticism of other groups who chant the Daimoku. (I consider the slap at the nembutsu fair game.)

Having been introduced to the Daimoku by Nichiren Shoshu in America (NSA) in 1989, I was aware that Nichiren Shoshu and Soka Gakkai had proclaimed Nichiren the Original Buddha. To expand my understanding now as a member of Nichiren Shu, I asked Gemini Notebook, “How does Soka Gakkai ‘defam[e] Shakyamuni Buddha as an empty husk’?” After reviewing the 80-plus sources in my Nichiren Notebook, Gemini offered this:

The criticism that Soka Gakkai and Nichiren Shoshu are “defaming Shakyamuni Buddha as an empty husk” arises from a fierce, long-standing theological dispute in Japanese Buddhism regarding the true identity of the Buddha in the Latter Day of the Law (mappō). While Nichiren Shu reveres the Eternal Buddha Shakyamuni as the supreme object of worship, Nichiren Shoshu and Soka Gakkai’s doctrinal heritage reverses this relationship, reducing the historical Buddha to an expired, spiritually empty shell. This criticism of Soka Gakkai and Nichiren Shoshu is rooted in several key doctrinal and historical points:

  1. The Doctrine of Nichiren Honbutsu Ron
    Nichiren Shoshu and Soka Gakkai teach Nichiren honbutsu ron—the doctrine that Nichiren Daishonin is the True or Original Buddha (honbutsu) of the Latter Day of the Law. Under this framework, Shakyamuni Buddha is relegated to a secondary status, viewed as merely a provisional or historical Buddha (shakubutsu) whose role was temporarily suited only for past eras. Josei Toda, the second president of Soka Gakkai, explicitly articulated this hierarchy by stating that “Shakyamuni Buddha is not the entity of the Nam-myoho-renge-kyo, but only the one who attained enlightenment by practicing the law.” Consequently, Toda declared, “we call Nichiren Daishonin the True Buddha and Shakyamuni… simply the buddha”.
  2. Stripping Shakyamuni of His Eternal Reality
    In the “Fathoming the Lifespan” (16th) chapter of the Lotus Sutra, Shakyamuni Buddha reveals that he actually attained enlightenment in the inconceivably remote past and remains eternally active in our Sahā world to guide living beings. By treating Shakyamuni as “merely an historical figure in the overall spectrum of Buddhism” whose teachings have expired, Nichiren Shoshu and Soka Gakkai strip him of this cosmic, eternal presence. They reduce him to a transient, historical facade—an empty husk whose spiritual substance has been entirely transferred to Nichiren.
  3. Contradicting Nichiren’s Own Writings and Life
    Nichiren Shoshu and Soka Gakkai’s replacement of Shakyamuni with Nichiren directly contradicts Nichiren’s own documented writings and his entire life’s work.

    • Nichiren’s True Intent: Nichiren spent his entire life—risking execution, starvation, and exile—urging the people of Japan to return to the basics of Buddhism, which he defined as faith in the Buddha Shakyamuni and the ultimate teachings of the Lotus Sutra.
    • The “Debt” to the Father: In Kaimoku-shō, Nichiren warned that those who do not understand the eternity of Shakyamuni’s life do not know the debt they owe to their “father,” comparing sects that ignore Shakyamuni to “beasts and birds” who do not know their own parents.

For these reasons, Soka Gakkai and Nichiren Shoshu have been criticized as heretical or “non-Buddhist”. By dethroning Shakyamuni and elevating Nichiren as the supreme object of worship, these groups commit the very act of slandering and marginalizing the Buddha that Nichiren himself spent his life fighting against.

The 1985 brochure’s criticism of Other New Religious Movements put into words something that has bothered me about Rissho Kosei-kai and its devotion to one of its founders, Nikkyo Niwano. As the brochure says:

[B]y setting up their own founders as the Great Leader, they close off the path of following Nichiren Shonin—the true Great Leader. They chant while ignoring Nichiren Shonin’s way of life, which aimed to spread the Lotus Sutra, save all beings, and establish peace and happiness.

That, of course, also applies to Soka Gakkai and its deification of Daisaku Ikeda.

More problematic for me, however, was Niwano’s radically pluralistic argument that the Lotus Sutra is not a proper noun but the single, underlying truth or cosmic energy of the universe. In Niwano’s view, different cultures simply use different names for this same ultimate reality: Buddhism calls it “the Void,” Christianity calls it “God,” Judaism calls it “Yahweh,” and Islam calls it “Allah.” Therefore, he argued, all great world religions are fundamentally teaching the same truth.

Still, I am not comfortable with criticism of anyone who proclaims devotion to the Lotus Sutra by chanting the Daimoku.

In Chapter 10, the Buddha admonishes Medicine King:

“An evil man who speaks ill of me in my presence with evil intent for as long as a kalpa is not as sinful as the person who reproaches laymen or monks with even a single word of abuse for their reading and reciting the Sūtra of the Lotus Flower of the Wonderful Dharma.”

One can argue that the 1985 brochure is only trying to answer the question, “Why Must It Be the Daimoku of Nichiren Shu?” but to what end?

In Chapter 14, the Buddha warns Mañjuśrī:

A Bodhisattva-mahāsattvas who wishes to expound this sūtra in the age of the decline of the teachings after my extinction should perform the following peaceful practices. When he expounds or reads this sūtra, he should not point out the faults of other persons or sūtras. He should not despise other teachers of the Dharma. He should not speak of the good points or bad points or the merits or demerits of others. He should not mention Śrāvakas by name when he blames them. Nor should he do so when he praises them. He should not have hostile feelings against them or dislike them. He should have this peace of mind so that he may not act against the wishes of the hearers.

Yes, Nichiren criticized others during his lifetime and specifically ignored Chapter 14’s warnings as he sought to re-establish the primacy of the Lotus Sutra in Medieval Japan. But he also understood that that was the Japan of his day and left room for the possibility of a different approach in a different land.

In Jisshō-shō, A Treatise on the Ten Chapters of the Great Concentration and Insight, Writings of Nichiren Shōnin, Doctrine 2, Page 5, he wrote:

The use of the terms “eternity, joy, self and purity” by non-Buddhists in India were wrong in meaning, but they were so good as names that the Buddha used them to name the four kinds of virtues of Nirvana in Mahāyāna Buddhism later. However, the Buddha hated these terms at first in order to get rid of the non-Buddhist ideas. Even evil is the seed of Buddhahood, and so is virtue. Although the principle of emptiness to which śrāvaka and pratyekabuddha were stuck was virtuous, not evil at all, the Buddha reproached them in order to break their adherence to it. The nembutsu today destroys the Lotus Sūtra in this country. Therefore, the nembutsu must be denied and criticized even though it is good and not wrong in meaning for the sake of the Lotus Sūtra. It is because in Buddhism there is a suitable dharma for each country.

In this country – or in any similar country where Buddhism is a minority religion – anyone who expresses devotion to the Lotus Sutra should be praised. The question of who is more correct is superfluous.

Daily Dharma for August 12, 2026

20260812-ddi

Illustration by Google Gemini

Show Gemini's thinking

Conceptual Summary
The illustration visualizes the narrative from Chapter Seven of the Lotus Sūtra. Central to the composition is Śākyamuni Buddha, representing the 'Great-Universal-Wisdom-Excellence Buddha' who is petitioned by his children (the monks and attendants surrounding him) to teach and lead. The top of the image features an emerging Lotus flower, symbolizing the Sūtra as the vehicle for highest wisdom and emancipation. Below, the 'long night' and 'evil regions' are depicted as a chaotic, dark valley filled with suffering beings. These beings, appearing lost and blind, are separated from the light. This contrast between the serene assembly receiving wisdom and the darkness below illustrates the critical need for an enlightened leader to guide those preoccupied with self and blind to their own suffering toward the truth of the Dharma.

Iconography & Character Identification
Item 1: Deities/Figures Featured: Śākyamuni Buddha (seated centrally, as the teacher of the Sūtra); the children of Great-Universal-Wisdom-Excellence Buddha (the assembly of shaved-headed monks and youth-like attendants surrounding the lotus throne); attendant Bodhisattvas (the four crowned figures holding lotus flowers standing behind the monks); the multitude of suffering beings (the crowds of lost souls in the dark landscape at the bottom).

Item 2: Text Translations: The Kanji signature is 双子座 (Futago-za), translating to 'Gemini'. The red hanko seal contains the Katakana characters ジェミニ (Jemini), which is the phonetic rendering of 'Gemini'.

All living beings are suffering.
Being blind, they have no leader.
They do not know how to stop suffering,
Or that they should seek emancipation.
In the long night fewer people go to heaven,
And more people go to the evil regions.
They go from darkness to darkness, and do not hear
Of the names of the Buddhas.

The children of Great-Universal-Wisdom-Excellence Buddha proclaim this to their father in a story told by Śākyamuni Buddha in Chapter Seven of the Lotus Sūtra. They understand that when beings are so preoccupied with their own happiness, and so convinced that this happiness comes from what they can acquire, that they need an enlightened being to lead them to see the world as it is. With the Lotus Sūtra as the embodiment of the Buddha’s highest teaching, we have the same wisdom present to us as those children’s father was to them.

The Daily Dharma is produced by the Lexington Nichiren Buddhist Community. To subscribe to the daily emails, visit zenzaizenzai.com

Daily Dharma for August 11, 2026

20260811-ddi

Illustration by Google Gemini

Show Gemini's thinking

Conceptual Summary
The accompanying illustration translates a powerful message from the Lotus Sūtra into a traditional Japanese ink painting on silk. The composition uses a visual metaphor to illustrate Śākyamuni Buddha's teaching that criticizing a new practitioner is worse than speaking ill of an enlightened being. The upper section establishes the scene of initial disrespect; the seated Śākyamuni Buddha, situated beneath a massive, fully-grown Bodhi tree, is tranquil and undisturbed while demonic figures with grotesque, flushed faces and malicious expressions (symbols of evil speech) kick and yell towards him. Their actions are visually futile against the tree’s massive trunk. In the foreground, the focus shifts to the more damaging criticism. A vulnerable, young practitioner in blue robes kneels, weeping, holding a scroll of the Myōhō Renge Kyō. They are besieged by the same demonic figures. Critically, these figures are now also shown kicking and breaking a delicate, sapling plant directly beside the monk. The contrast between the unmoving, mature tree and the fragile, broken sapling visually models the Sūtra's teaching on the danger of discouraging a beginner's faith.

Iconography & Character Identification
Item 1: Deities/Figures Featured:

Śākyamuni Buddha (Seated on the upper left, unperturbed)

The Young Practitioner (Kneeling, vulnerable, holding the Sūtra)

Three Malicious Figures (Demonstrating evil intent and 'speaking ill')

Full-Grown Bodhi Tree

Broken Sapling

Item 2: Text Translations:

Signature (Kanji): 双子座 (Futagoza) — Translation: Gemini

Seal (Katakana): ジェミニ (Jemini) — Translation: Gemini

Sūtra Title (on the monk's scroll, in the image logic): 『妙法蓮華経』 — Translation: Lotus Sūtra of the Wonderful Dharma

Whoever for as long as a kalpa,
With evil intent and flushed face,
Speaks ill of me,
Will incur immeasurable retributions. Whoever for even a moment
Reproaches those who read, recite and keep
The Sūtra of the Lotus Flower of the Wonderful Dharma
Will incur even more retributions.

The Buddha declares these lines to Medicine-King Bodhisattva in Chapter Ten of the Lotus Sūtra. Why is it worse to criticize someone who is even beginning to practice the Wonderful Dharma than it is to criticize the Buddha who is fully enlightened? It is like the difference between kicking a full-grown tree and kicking a young sapling. The Buddha knows how to handle criticism. One who has just started with the Buddha Dharma could be discouraged from this practice through criticism. We should encourage anyone who wants to practice with us.

The Daily Dharma is produced by the Lexington Nichiren Buddhist Community. To subscribe to the daily emails, visit zenzaizenzai.com